In getting back to the Eight Theories of Religion by Pals, I am going to talk about Mircea Eliade–a theorist who I find difficult to give a fair evaluation of because he theorized from the point of view of religion being true. Unlike the other theorists so far discussed (Tylor, Frazer, Freud, Durkheim, and Marx), Eliade viewed religion positively.
Eliade resisted a reductionist theory of religion as Karl Marx and Durkheim had done. Understanding religion by one overarching theory failed to understand the complexity of the religious experience. Religion is autonomous. It is not a psychological by-product of another reality.
Born in Bucharest in 1907, he had one of his formative moments while studying in India. In 1928, he took a trip to India to study with Surendranath Dasgupta, with whom he studied until getting into an affair with his daughter. Probably not the best idea. In India, he came to the conclusion that “sacramental experience” can change life; that symbols are the key to spiritual life; and that one could learn a lot from studying the heritage of folk religion.
In his scholarly work, Eliade was influenced by the theory of religion given by Durkheim; this is most evident in his book The Sacred and the Profane (1957) where he took the definition of the sacred from Durkheim. The sacred is the extraordinary, supernatural, and momentous separating us from the profane. The profane is the normal, banal, quotidian.
Eliade’s notion of religion was different than Durkheim’s in that he thought the sacred dealt with the supernatural, which was closer to the definition of Tylor and Frazer. Durkheim thought religion ultimately dealt with the social. Eliades’ sacred is the encounter with otherworldly experience (he was channeling the idea of Rudolph Otto here) and is a thing in-and-of-itself.
To understand religion clearly, we must step out of modernity and into the archaic. Among archaic societies, the sacred was integrated into the social. For example, archaic people built their towns around a sacred center or in a design that symbolized the divine order. Archaic people sought to create a mirror image of their divine mythologies.
They wanted to live in the sacred because they sought to remedy an element of the human condition: the feeling of being estranged–disconnected. Being thrust into the world, we are aware of an absence at the core of our being, a kind of separation that needs to be repaired. We have a sense we are not in the place we are supposed to be. We feel a lack, an insufficiency. Eliade gave this the elegant name the “nostalgia for Paradise”. This was Eliade’s description of spirituality and it characterizes the need and desire to return to the gods or the supernatural.
In a kind of Jungian way (that Joseph Cambell would also later borrow), Eliade suggested we tap into a deep spiritual reservoir connected to us all. Spirituality is a real experience, not something reduced and explained away by psychology. In his mind, humans are spiritual animals–for Eliade, I believe, this is a hidden proof of the truth of a greater supernatural order.
Eliade argued we must study religion through “phenomenology” that examines a thing through comparative analysis and by what the appearance of religion presents to us. Eliade was looking for general commonalities shared across cultures and religions. He looked for them through indirect expression: through symbols and myth. He explored this in his book Patterns. He used examples such as Sky Gods, the Sun and Moon, water and stones, etc. that showed similarities across cultures. For example, for the gods of the sky, their stories and myths symbolized the reenactment of the human drama of life, birth, and death. Personally, I am not sure how this is any more impressive than storytelling in general–unless Eliade would have suggested all of our stories are looking to reconnect us to something greater (the social to Durkheim, the supernatural and sacred to Eliade).
One of Eliade’s most important books was The Myth of the Eternal Return (1949). His thesis in this work stated that “the one theme which dominates the thought of all archaic peoples is the drive to abolish history–all of history–and return to that point beyond time when the world began” (Pals 179). We all possess a longing to return back to the beginning, to creation, to be with god. Religion and ritual allow us to reenact these desires.
Interestingly, Eliade said one reason for the myth of eternal return is that humanity has an intuition that life is an empty spectacle and a pointless exercise. This is the “terror of history” said Eliade. Ordinary life is insignificant and we are unable to find any true meaning in history. Archaic people overcame this feeling by creating meaning outside of history. They denied the meaninglessness through symbols and myths that refer back to a primordial state of perfection.
A major turn in the history of human consciousness occurred when Judaism declared that the sacred could be found within history as well as outside it. The next major shift happened recently, in modern Europe and America. Something quite new to human history emerged–secularity, by the denial of the value and existence of the sacred altogether. In embracing an entirely secular life, the secular western subject must create meaning entirely themselves. For example, coming after WW2, Eliade saw Marxism and fascism as representing two attempts to create a secular, profane meaning in history.
Eliade thought the loss of the sacred was a true loss, expressing his doubt that modern replacements could satisfy the human personality. His major contribution was to read religion through a process of interpretation via symbols and universal characteristics. To Eliade, spirituality and religion are real phenomena that have structured and upheld human society. The loss of the sacred is a human loss.
Take it as you like. I think in refusing to be a reductionist, Eliade actually refused to see the totality of the phenomenon he sought to understand. It would be more impressive to combine, add to, and modify the prior theories than to dismiss them. He ironically saw religion through another form of limitation, ignoring the realities that create what the sociologist Berger called the “social construction of reality.”